“I used to collect rocks as a kid and force my family to walk through the ‘museum’ I made in the log playhouse my father built. The collection was mostly rocks, freshwater shells, and a few mole skeletons.”
“I used to collect rocks as a kid and force my family to walk through the ‘museum’ I made in the log playhouse my father built. The collection was mostly rocks, freshwater shells, and a few mole skeletons.”
“We all know the principle—think first about how you can help—but you have to be reminded of it in sales because you become so fixated on hitting a number.”
“I watched a group of women gather around a first-time shelter guest and rub her back, comforting her, until she calmed down.”
“After a 40-year break, I unexpectedly found myself at Sheila Hick’s retrospective and remembered I was supposed to be an artist.”
“Creating work that is meant to be ripped to shreds is a really good way to push through a lifelong perfectionist streak.”
“One of my new colleagues handed me a bankers box filled with various FedEx envelopes. I had inherited the SAPPI IDEAS THAT MATTER program. For almost ten years we provided nearly $10 million to help produce this work.”
“A good majority of the work I’ve done that still sticks with me was done outside of my regular job. And it made me a better designer and creative for it. I was able to pour what I learned back into my agency work. “
“If you’re in the coffee business, you better be a day maker. You may well be the first person someone sees that day.”
Picture the last year of Trump’s presidency and all four years of Biden’s first term without either president once mentioning COVID19. Imagine the first proposed legislation for COVID research dying in a congressional committee . . .
“In my twenties, I spent more time overseas than I did in the United States. I lived and worked in Thailand, Uganda, South Korea and Austria. It was the smartest thing I did.”
“Minimalism has no room for vulnerability, varied life experiences, and the weird.”
“I attended my first virtual reality event—the Dalia Lama and Greta Thornberg. You show up and it’s just like being in the lobby of a theatre. I had a very linear expectation of going to see the Dala Lamai speak and hadn’t processed that I was entering a public space. One guy came up to me and took a selfie. I had to go to the balcony to find a space that I felt safe in.”
Jack Butcher’s efforts at Visualize Value have changed the way I think about earning a living with my mind, not just my time.
“There’s so much positive intent to dismantle racism. Every week I attend person-to-person virtual events, within the creative community and beyond. A combination of self-education, conversation, and action propels the work forward.”
“I have regular fantasies about hopping across the pond and apprenticing with a British haberdasher or two, specifically the legendary Philip Treacy and the delightfully playful Piers Atkinson.”
“Everything I’ve learned working in design, illustration, glass, metal (even architecture school) informs what I do today.”
“Find people that you think have it all figured out and start asking them questions—you may be surprised at how much they are willing to fess up to just making it up as they go.”
“The comments sections at the Fringe Festival are filled with audience members chatting as if they were in the theaters they miss. ‘Excuse me, those three seats are ours, but we won't make you get up again.’ ‘Thank goodness for late seating in this venue, I was having technical issues!’”
“The writing is the best part, and the writing will always be the best part.”
Aaron praises the pioneering design of Georg Olden and points us to The Visual History of Pandemics.